It's a funny day at the bank, where our charming, over-enthusiastic OTP bank worker has a great idea to find caring new owners for a basket of super-cute puppies, just like OTP bank found new owners for cars last year…What a great idea! What a funny idea! What an idea I cant forget!

We draw people into the film with cute puppies, then show them some great looking carsand clearly inform them about OTP'S cool new car offer. It's a cleverly constructed film, filled with neat comedy performance and a memorable way to draw customers and viewers to the OTP new cars offer. You guys are clever!

But also, we show a bigger OTP "Brand" picture, - we establish OTP Bank as being a MODERN, FORWARD THINKING BANK attracting and rewarding valued customers with cool special offers, and also a bank that shares a similar sense of humour and an approachable tone to that of its customers. OTP is a friendly, trustworthy modern bank that justifies your trust

I've had are about the flow of the film, the staging and the way we present the cars and the puppies:

• It'd be cool if we have a few customers dotted about the bank when we cut wider to see all the cars, so it feels like a genuine working bank?
• Shall we have the cars move or even DRIVE INTO POSITION when we cut wide and see them inside the bank?
• I want to use the behaviour of the puppies as a way of motivating our transition to the cars – so if one of the puppies jumps out of the basket, escapes and our hero chases after it, he takes us – the camera, to the car by following the running away puppy? It's a nice way to get more puppy action into the film and cute/clever way to reveal the cars?
• Lets go via a close up of the puppies on our new angle through to see the car in the background. A nice way to reveal the cars via the puppies
• Can we have our hero bank guy and his colleague walking and moving as they talk at the front of the film, so we have some sense of movement and a reallife tone to the film from the beginning?
• Can we put the cars into the background of the bank interior so that they can be seen clearly, but with customers and bank employees going about their normal work right next to them?

Let's create a tone of NATURAL COMEDY REALISM through the performances. The acting should be enthusiastic but loose, believable and genuine. I want to feel like our hero is a real person, in a real bank, having a genuine idea to find new owners for the puppies. This slightly foolish conceit has to be delivered through carefully played natural enthusiasm. The acting is not silly or slapstick, but just the right amount of exuberance. We should feel like we are dropping into – then out of – this real world in the OTP bank, and real situation of a guy looking for new homes for puppies… No 'set-up', no fabrication, no falsity. We allow the scene and the dialogue to flow naturally, allowing for improvisation and happy accidents that breathe life into the film keeping is feeling fresh, funny and believable.

Elevate the SCRIPTS and DIALOGUE to be sure we clearly deliver the message of the cool car offers in both the structure and idea of the film. I always put the scripts 'on their feet' in the rehearsal room, running lines, changing endings, improving timings, working with the material to amplify the comedy, pinpoint the gags and strengthen dialogue and emphasize the product points and offer information.

Tighten and check the TIMINGS, working with the scripts to be sure we hit the OTP Bank offer information with the right degree of emphasis in the comedy timings and correct balance of seeing the cars and the offer information. Let's be sure the 15", the 10" and the 6" films feel as good and clear as the 30" film, we see the cars clearly and hear the offer details succinctly.

Make a visually fresh, glossy and bright style of film through the bank LOCATION and ART DIRECTION. I want to avoid the film feeling too unreal, but the look must be bright, fresh and polished - in the style of your last film. We should build a set of the OTP bank within a studio or find a location that we can create an OTP bank within it. The bank space must be big enough to have office workers, desks and customers within it, plus enough space around that for one genuine car, and four or five cars in the background in CGI. OTP branding colours will be clear and in as many natural places as possible.

We have some CREATIVE FUN with the CAMERAWORK so that it feels lively and fresh. Lets use some unique angles, close ups on the puppies, big reaction shots of the cast etc. I want the film to feel dynamic and cinematic. Let's keep the camera on a dolly or slider, slowly smoothly tracking giving us a cinematic big-screen feel throughout. Lets enhance the characters through their WARDROBE, so each cast member will be dressed and styled to match their personality. The clothing will be styled to look "unstyled" - a natural extension of the casts personality. Realistic, broken down,– clean and fresh but authentic looking, - not like we just got it from the shop.

Let's get some SUPER CUTE PUPPIES! I want to find some small pale furry energetic BUNDLES OF CUDDLY FUN, that everyone will just melt and want one… I want funny, mischievous, run around and play fight, stumble fall and chase little cuties that we all love… Remember, these guys are going to be very hard to control, they are going to go running around all over the place and not want to stay in the basket for very long! I think we will have a lot of charming fun with them and the cute – crazy antics. Try this: https://coub.com/view/1v1erp

SEAMLESS AND SURPRISING CAR TRANSITIONS that show the hero in the bank and with the cars right next to him are at the heart of this film. If it's funny and odd because there's a guy with puppies in a basket inside a bank, and it's funnier that's there's big and shiny, great looking cars inside a bank. That's a very cool idea and a great image. I love the idea that we make a simple cut wide, to a new angle and there's the car – right next to our hero. Then we shift the angle once again, and there's four more cars in the bank behind and around him. It's almost like magic, but actually very simple cut wide or change of angle.

PACKSHOT ending will be the cars appearing on the clean white cyc background, as before, showing the range on offer. Alongside this will be offer details and branding.